Latest Products
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FUJIFILM X-T5 Mirrorless Camera (Silver)
R25,000 R30,050 -
Sony ZV-E1 Full-Frame Mirrorless Vlogging Camera With Extras
R35,000 R51,999 -
Fujifilm XF 70-300mm f/4-5.6 R LM OIS WR Lens
R12,499 R14,795 -
Nikon D780 DSLR Camera Body
R32,000 R40,000 -
Canon EOS R6 Full-Frame Mirrorless Camera
R27,000 R32,999 -
Luna Optics LN-DM50-HRSD Digital Night Vision Camcorder
R6,000 R9,695 -
Luna Optics LN-EM1-MS Night Vision Monocular (Gen 2)
R26,000 R33,000 -
Trijicon Credo HX 2.5-15×42 (MOA Center Dot)
R23,000 -
Sony Alpha A7 IV Mirrorless Camera Body
R40,000 R51,995 -
Schmidt Bender PMII 5-20x50 LP LT MTC/CT DT H2CMR
R45,000 R59,999 -
Steiner Ranger 2-8x42mm Riflescope
R10,000 R14,999 -
Steiner 4-28x56 M7Xi IFS Riflescope (TReMoR3 Reticle, Black)
R85,000 R91,808 -
Vortex Razor HD Gen II 3-18x50 Riflescope with EBR-7C Reticle (MOA Turrets)
R33,000 R40,700 -
Swarovski Z5i 5-25x52 P BT Plex-I
R30,000 R35,000 -
BURRIS THERMAL HAND HELD H50
R44,999 R50,000 -
Burris S50 Thermal Riflescope
R50,000 R57,429 -
ATN MARS-HD384-1.25-5x, 384x288
R38,000 R48,000 -
NightForce ATACR 1-8×24 FC-DMx Riflescope
R50,000 R66,950 -
ZEISS CONQUEST GAVIA 30-60x85
R23,000 R43,487 -
Nightforce SHV 5-20x56MM Riflescope
R14,000 R26,749 -
Vortex Razor HD GEN II 4.5-27x56 Riflescope EBR-2C MRAD Reticle
R39,000 R49,999 -
Swarovski Z6 1.7-10x42 Riflescope - Plex Reticle
R31,000 R35,049 -
ATN X-Sight 4K Pro 5-20x Day/Night Vision Riflescope - Smart Mil Dot Reticle
R15,000 R20,939 -
Swarovski Z5 5-25x52mm P BRH
R22,000 R27,900 -
Dell XPS 15 9520 15.6-inch FHD Laptop
R30,000 R58,909 -
Sig Sauer Whiskey5 5-25X52 30MM SFP MOA MILL HUNT
R21,000 -
14" Portable Monitor Triple Screen Display Extender For Laptop
R6,000 R8,900 -
HAWKE FRONTIER 5-30x56 FFP MIL 34mm
R14,000 R20,149 -
Vector Taurus 5-30×56 FFP
R7,000 R9,149 -
Vector Continental x10 1-10x28 ED FFP VET-CTR
R14,000 R18,200 -
Vector Continental x8 6-48x56 ED MOA Tactical Rifle Scope
R15,000 R20,490 -
Vector Optics 34mm Continental 5-30×56 FFP Riflescope Ranging Reticle
R12,000 R16,990 -
Vector Optics Constantine 1-8×24 FFP Riflescope
R6,000 R8,638 -
Vector Continental 34mm x6 5-30x56 MBR FFP Ranging
R11,900 R17,990 -
Burris Eliminator 6 LaserScope 4-20x52mm (34mm Burris XTR Rings included)
R40,999 R50,999 -
Nikon Fieldscope 82mm ED
R25,000 -
Elcan SpecterDR Optical Sight model 1-4x 5.56 NATO DFOV14-T1
R33,499 R41,650 -
VORTEX VIPER HS 4-16X50 Dead-Hold BDC
R12,000 R18,349 -
Vortex Strike Eagle 5-25X56 FFP EBR-7C (MRAD) 34MM TUBE
R19,000 R25,000 -
Fujifilm X-Pro3 Mirrorless Digital Camera Black
R30,000 R34,395
Designed for Content Creators
12MP Full-Frame Exmor R CMOS Sensor
UHD 4K 120p / FHD 240p / 10-Bit 4:2:2
5-Axis SteadyShot Image Stabilization
15 Stops Dynamic Range, AI Auto-Framing
Multi-Face Recognition, Time-Lapse
Product Showcase Setting
S-Log3, S-Gamut3, S-Cinetone, User LUTs
Extended ISO 80-409,600
Internal Mic Inputs, USB Streaming
DESC:
Framing Stabiliser maintains a constant subject position
The Framing Stabiliser feature automatically keeps the subject’s position in the frame constant, which can be particularly useful when walking alongside the subject. Advanced AI-based subject recognition technology works with the camera’s Dynamic active Mode image stabilisation to reliably keep the subject in the frame during handheld shooting.
Create memorable imagery with Cinematic Vlog Setting
Cinematic Vlog Setting provides an intuitive way to create scenes that look like feature movies. By choosing a Look, Mood and AF transition speed, anyone can create cinematic vlog footage that ideally matches the scene and creative intent. The Cinematic Vlog Setting includes “Look” options such as S-Cinetone that can enhance skin tones, “Mood” options that can emphasise specific colours, and the AF transition speed that determines how quickly autofocus will switch between subjects. The overall cinematic feel is further enhanced by the use of a 24 fps17 frame rate and the widescreen Cinemascope aspect ratio (2.35:1)18 with black bands above and below the image.
AI-based Auto Framing for movies
Using AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator, even though the camera is mounted on a tripod. In addition to the camera automatically recognising a subject and initialising tracking, any other subject can be selected for tracking by touching it on the camera’s monitor or the Creators’ App on a smartphone.
Product Showcase Setting for product review videos
The Product Showcase Setting makes it easy to shoot product review videos. The camera will smoothly switch focus from your face to a product held in front of the lens and then back to your face when the product is moved away. Product Showcase Setting can be turned on or off simply by pressing the dedicated button provided.
Creative zoom control
The zoom lever located on top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. Real-time Recognition AF, Real-time Tracking, and focus area settings remain active while zooming digitally or with Clear Image Zoom, ensuring that the full precision and speed of the camera’s phase-detection AF system is realised even during digital zoom operations.
Advanced movie recording modes: 10-bit 4:2:2
The ZV-E1 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while providing greater editing freedom.
S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3
S-Log3 offers enhanced reproduction of shadow to mid-tone (18% grey) gradations. Colour spaces include S-Gamut3, with even-better colour reproduction than S-Gamut, and S-Gamut3.Cine, a colour space that has been designed to provide a look similar to scanned cinema film. The combination of S-Gamut3.Cine, which has a slightly wider colour gamut than DCI-P3 digital cinema, and S-Log3 allows easier colour grading for the DCI-P3 or 709 video colour space.
- Availability: In Stock